Saturday, September 29, 2012

1974.

This is my mum Tina at around the age I am now. 


She has been probably the best mother anyone could ever hope to have. I hope she realises this when she looks back on her life so far. 


Also, still waiting for these genes to kick in for me. Both the ones that made her such a good person and the ones that made her look like a 70s Calvin Klein ad. 

Tuesday, September 25, 2012

Abandonment issues, part 5; On the farm.

From the first glimpse of a horse, small and kindly-looking, with a yellowish coat and black mane;  the first trip to the chicken coop, a haphazard tin-and-wire structure in the corner of the yard; the first game of tug-o-war with a foolhardy but benevolent dog – I was hooked.


I don’t know how my somewhat estranged brother ended up owning a farm. I wasn’t really at the age where I was inclined to ask conveyancing-related questions. I was at the age where I looked cute wearing a leotard and a tutu and carrying a basket of fake flowers at said brother’s wedding. So were my sisters. It was, I think, mainly for this reason (the wedding, not specifically the leotards and tutus) that we took a seven week trip back to Australia just before I turned nine.

While we had moved to the UK, my brother, whose name is Nicholas but who has been known as Harvey all of his life for reasons unknown, lived on a stud farm near Busselton, Western Australia. I think their main source of income was a giant, rather frightening horse named “Chopin,” whom everybody called “Chops.” I didn’t get the joke until many years later when I started piano lessons. I thought the horse’s real name was simply “Show Pan,” and that like Harvey, he had been given a pseudonym that had nothing to do with his actual name.

We did a lot of things on this seven-week stint back in the motherland. We circumnavigated Uluru, visited my grandparents in Newcastle – I vaguely remember something about Sydney Harbour too, but really, one never remembers specific visits to Sydney. They all just mesh into one. But we also stayed on my brother’s farm for a while. I remember absolutely nothing about the house, or where we slept, or even talking to my brother much. I was eight and he must have been about twenty-two. At the time I thought he was old – a man – and placed little distinction between his age and that of my parents. It’s only now that I realise he was younger than I am now, and certainly quite young to be getting married.

What I do remember is loving the farm itself. I loved the hot sun on the coarse, browning grass. I loved the shrill, metallic notes that each steel gate sung when opened or closed. I loved the sacred sense of responsibility when entrusted with the task of collecting eggs from the chicken coop each morning; the sense of wonder each time that, overnight, these unassuming feathery dimwits had produced such miraculous feats of nature, and that we could eat said feats of nature for breakfast. There was a novelty in it that was appealing, for sure. But there was also a longer-term sort of personal satisfaction that as an eight-year-old, I was more inclined to phrase as “this is so cool.”

When I was in grade nine my parents bought Ironbark farm; 902 acres in the Hogarth Range, just southwest of Casino, NSW. For many years it too was a source of novel pleasures, from Schoolies week to renovation symposiums for Chinese PhD students. It had the same squeaky gates and scorched grass. But over the last few years I’ve begun to see its value as a living, breathing entity too. Its lack of mobile phone reception, internet or television, along with its constant need to be renovated, cleaned, painted, fixed, demolished and rebuilt is addictive. I have been unashamedly guilting my parents out of selling it for three years.

I’ve seen my brother maybe six times since his wedding, with increasing sporadicity. I know he moved to Melbourne and no longer seeks his fortune in farming. When people ask me what he does I say “he's in IT,” because he is, but that’s all I know. I’ve never asked him what inspired his brief period as a stud farmer. I’ve never asked him what inspired his decision to stop being a stud farmer. In fact, I don’t think I’ve ever asked him a single question about himself except for “Harvey, why did you cut off all your hair?” 

As I move closer to the time at which I am bound to have a mid-twenties identity crisis (also known as finishing university and facing the prospect of starting one’s career) and entertain, with increasing enthusiasm, the notion of abandoning my aspirations as a schoolteacher and moving down to Ironbark full-time and becoming a hermit, I can’t help but wish I had, in fact, asked my brother these questions. Perhaps I will now, and maybe while I'm at it, I'll ask him exactly what it is he does in IT. 

Monday, September 24, 2012

Abandonment issues, part 4.


Abandonment issues, part 3; Does your prom dress still fit?

Today I did a good portion of the cleaning out of my old room wearing a $2000 silk prom dress because six years on, I don't really feel I've got my money's worth out of it. 



Abandonment issues, part 2; The third or fourth house.

In 1998, we bought our first family computer, on which my father wrote his 1999 book, Uses of Television. 


I suppose I was about eight, and used the computer to play the Babe computer game, which was fantastic, and make endless, horrible place-mats, cards and name-tags using some sort of Disney software that allowed you to cover all these items in different 101 Dalmatians pictures. 

I also used "Notepad" (wasn't allowed to use Word; not sure why) to write some of my first short stories which, if memory serves (it does, freakishly so) included the tale of a girl who lived inside a light bulb, a fairly generic rabbit story, and the various adventures of my many Mary-Sue-type characters of the day. I abandoned all attempts to write fiction soon thereafter. 

The computer room, pictured above, was the other half of the living room, and one of the many reasons why this particular house was and still is my favourite of our many houses between 1989 and 2001. 

1996 to 2000 was spent here, a deceptively lovely terrace overlooking Cardiff Bay, but not on the Cardiff side. It was stairs, horrible blue carpets, rocks and perfect Christmases spent on the floor in this living/computer room. Every house on the terrace had a bay-window at the front, and if you didn't have your Christmas tree and lights up in it by December 1, our neighbour Pauline would ask you why (she also hated the Willow tree you can see in the picture because it blocked our view of the Bay. She poisoned it one summer and it died). 

The room also had an over-the-top wooden fireplace. An ornate carving of five long grooves on either side of it reminded me of claw-marks and I ran my fingers along them almost every day. After we sold the house, it stood empty for a few months, during which this and the wrought-iron fireplace from upstairs were both stolen. I sometimes wonder where they ended up. 

Thursday, September 20, 2012

Abandonment issues, part 1.

My younger sister Sophie has moved to Edinburgh to get a much better education than me and hang out with gay Spice Girls fans named Trent. 

Here is a picture of her as Draco Malfoy.


I miss her quite a lot. 

Abandonment Issues.

By February next year, almost all my close friends and family will have moved away. My sister has already moved to Scotland. My folks are in the process of moving back to Perth. My other sister is moving to Hobart and my two housemates and friends are moving to Melbourne. 

I will be documenting this fascinating process of mass-abandonment over the next few months, starting with the emptying and sale of our family home. If you like nostalgia, a few self-deprecating jokes and being nosy about what other people keep in their closets, you may enjoy reading my forthcoming blogs. 

Excerpts from "Orphans."

“The world hurts and I don’t want to live in it anymore.”
One of the many manic but truthful confessions I will carefully print into a Moleskine notebook, only to rip it out and re-write it because I used the wrong pen, or formed a letter imperfectly, or spaced the words unevenly. You can’t use white-out in a Moleskine – the slightly textured, off-white pages give you away immediately. Besides, if you’re going to leak all your inner pain onto a page in hope that it will somehow stay there instead of leaping back down your throat, you don’t want something as crude as white-out involved.

...

“You are beautiful like a thunderstorm.”
This one was for a long-lost lover. I was quite proud of this quaint little simile at the time. He was exciting and unpredictable in a way that made it impossible to do anything else while he was around – rather like a storm. He wasn't quite as pretentious as I was – he would have chosen Spirax over Moleskine to save money. But he was beautiful, that much was true. Far more beautiful than I was equipped for. When he left I realised I’d had an avalanche sitting on my chest for six months.